I selected the 1952 Ariel, Demeter, as being the most unlikely thing to be duplicated at the show, and I was right. Despite all the years in the mouse-ridden shed she cleaned up nice. In the process I found cracks in the front fender stay and kickstand which goaded me to put on the new fender I've had hidden away for 10 years and fix the kickstand. Which was actually kinda fun, I forgot what putzing around with the bikes was like. Maybe I'll get the BST out again after all...
So here she is at the show all tarted up:
Right next to a 1951 Vincent:
I bought the Ariel because it was made the same year as me and I couldn't afford (nor find) a 52 Vincent.
A guy kept cruising by and quoting a song lyric: "Angles on Ariels in leather and chrome..." and I kept smiling as if I recognized the reference. I did, however, remember Richard Thompson's "1952 Vincent Black Lightning", which encapsulates the minimalist romance:
- Girl meets Motorcycle;
- Boy gets Girl;
- Boy dies;
- Girl gets Motorcycle.
Says James "In my opinion, there's nothing in this worldWhen I got home I used the power of Google to find the Ariel quote, and lo it is from the deathbed scene of same song;
Beats a 52 Vincent and a red headed girl.
I see angels on Ariels in leather and chrome,Which always brought a tear to my eye. But this time running down my cheeks as well, I suppose because I have a handshake deal to sell my Ariel, executed as we were loading her back on my truck.
Swooping down from heaven to carry me home.
Anyway, it was a great show. Who knew there were so many nice non-Harley motorcycles in New Mexico? And nice Harleys as well, but in a minority. And I've always loved those Indians:
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